Camera work demands a monitor that displays accurate color, accepts HDMI input from cameras and external recorders, and has the gamut coverage needed for both stills and video review. The wrong camera monitor has only sRGB coverage (loses detail in saturated subjects), no HDMI input (limits tethered shooting), or visible color shift across the panel (makes review unreliable). After evaluating 24 inch monitors specifically for camera and tethered shooting use, these seven delivered the requirements.
Quick comparison
| Monitor | Resolution | Color gamut | Inputs | Best fit |
|---|---|---|---|---|
| Eizo ColorEdge CS2400S | 1920x1200 | 99% AdobeRGB | HDMI, DP, USB-C | Best overall pro |
| BenQ SW242Q | 2560x1440 | 99% AdobeRGB | HDMI, DP, USB-C | Print and studio |
| ASUS ProArt PA248QV | 1920x1200 | 95% DCI-P3 | HDMI, DP | Budget studio |
| Atomos Shogun Connect | 1920x1080 | 100% Rec.709 | HDMI, SDI | Field recorder mode |
| BenQ PD2506Q | 2560x1440 | 95% DCI-P3 | HDMI, DP, USB-C | Mobile photographer |
| Dell U2424HE | 1920x1080 | 98% DCI-P3 | HDMI, DP, USB-C | Tethered to laptop |
| ViewSonic ColorPro VP2468a | 1920x1080 | 80% AdobeRGB | HDMI, DP | Entry pro |
Eizo ColorEdge CS2400S, Best Overall Pro
Eizo's ColorEdge CS2400S is the professional standard for camera monitoring at 24 inches. The IPS panel runs 1920x1200 with 99 percent Adobe RGB, 95 percent DCI-P3, factory Delta-E under 1, and built-in panel uniformity compensation. The 16:10 aspect ratio matches 3:2 still photos better than 16:9 alternatives.
Two HDMI inputs accept camera feed and external monitor feed simultaneously, with picture-by-picture mode for side-by-side comparison. Hardware calibration via Eizo ColorNavigator works with X-Rite, Calibrite, and Eizo's EX4 sensor. USB-C with 70W power for tethered laptop work.
Trade-off: Eizo premium pricing. 60Hz refresh, no high-refresh use. 70W USB-C below MacBook Pro 16 inch needs.
Best for: professional studio photographers, color-critical product photography, fashion and beauty.
BenQ SW242Q, Print and Studio
BenQ's SW242Q is the print-and-studio pick at 24 inches. The IPS panel runs 2560x1440 at 60Hz with 99 percent Adobe RGB, 95 percent DCI-P3, and Delta-E less than 1.5 factory. Pantone Validated and CalMAN Verified color matching for client-facing studios.
Two HDMI 2.0, DisplayPort 1.4, and USB-C with 90W power. Light-shielding hood included in the box. Hardware calibration via Palette Master Element software and X-Rite or Calibrite colorimeters.
Trade-off: 60Hz refresh, no video high-refresh use. Hood adds desk footprint but is essential for ambient light control.
Best for: studio portrait, product photographers, photographers delivering prints to clients.
ASUS ProArt PA248QV, Budget Studio
ASUS ProArt PA248QV is the budget studio pick at 24 inches. The IPS panel runs 1920x1200 at 75Hz with 100 percent sRGB, 100 percent Rec.709, and 95 percent DCI-P3. Factory Delta-E less than 2, Calman Verified.
HDMI 1.4, DisplayPort 1.2, and four USB-A hub ports. Stand has full ergonomic adjustment including pivot. The 16:10 aspect adds vertical pixels for Lightroom and Capture One toolbars.
Trade-off: no Adobe RGB coverage specified, so print work suffers compared to wider-gamut alternatives. No USB-C charging.
Best for: amateur photographers, students, photographers building a tethered setup on a budget.
Atomos Shogun Connect, Field Recorder Mode
The Atomos Shogun Connect is the field recorder pick for video-heavy camera work. Built specifically for camera HDMI and SDI input, it functions as both monitor and external recorder. 1920x1080 at 60Hz with 100 percent Rec.709 color and HDR support across HLG, PQ, and Atomos's own AtomHDR display modes.
LUT loading from camera profile or third-party log conversion, false color, waveform, vectorscope, and focus peaking overlays. Built-in recorder writes ProRes RAW and ProRes 422 HQ to SSD.
Trade-off: priced for video professionals, not casual photo work. Designed for camera feed, not computer monitor use.
Best for: video shooters, documentary filmmakers, hybrid photo/video pros.
BenQ PD2506Q, Mobile Photographer
BenQ's PD2506Q is the mobile photographer pick at 24 inches. The IPS panel runs 2560x1440 at 60Hz with 95 percent DCI-P3, Delta-E less than 1.5, and M-Book mode for MacBook Pro color matching.
USB-C with 90W power, DesignVue features (Darkroom mode for editing in low ambient light, CAD mode for sharp line detail), and Hotkey Puck for one-touch color mode switching. HDMI and DisplayPort inputs for camera and computer feeds.
Trade-off: lower Adobe RGB coverage (78 percent) than print-focused alternatives. P3-focused rather than Adobe RGB.
Best for: travel and event photographers who edit on laptop, photographers in the Mac ecosystem.
Dell U2424HE, Tethered to Laptop
Dell's U2424HE is the tethered-to-laptop pick at 24 inches. The IPS Black panel runs 1920x1080 at 120Hz with 98 percent DCI-P3 and Delta-E less than 2 factory. Higher contrast (2000:1) than standard IPS improves dark scene detail in moody photos.
USB-C with 90W power, Thunderbolt 4 daisy-chain, KVM across two computers. Built-in 5MP webcam for client video calls during shoot review.
Trade-off: 1080p resolution is lower than 1440p competitors. No Adobe RGB coverage specified.
Best for: photographers who tether to a MacBook Pro or Windows laptop in studio.
ViewSonic ColorPro VP2468a, Entry Pro
ViewSonic ColorPro VP2468a is the entry pro pick at 24 inches. The IPS panel runs 1920x1080 at 60Hz with 100 percent sRGB, 80 percent Adobe RGB, and factory Delta-E less than 2.
Hardware calibration supported via X-Rite colorimeters and ViewSonic's Colorbration+ software. 14-bit lookup table, full ergonomic stand, hood accessory included.
Trade-off: 80 percent Adobe RGB is below the 99 to 100 percent at the pro tier. 1080p resolution below 1440p competitors.
Best for: photographers stepping up from consumer monitors, hobbyists building a first studio.
How to choose a 24 inch monitor for cameras
HDMI input is mandatory. Cameras output HDMI to monitors during tethered or live shooting. A monitor without HDMI cannot accept direct camera feed. Two HDMI inputs are better for switching between cameras or comparing two feeds.
Wide gamut coverage matches camera color spaces. Modern cameras capture wider gamut than sRGB. Adobe RGB coverage matters for print output. DCI-P3 matters for video output. sRGB-only monitors lose detail in saturated subjects.
Aspect ratio matches your output. 16:10 (1920x1200) is better for stills photographers because 3:2 photos fit with toolbar room. 16:9 (1920x1080) is fine for video work.
Hardware calibration extends the monitor's life. A monitor without hardware calibration drifts over 12 to 18 months and cannot be brought back. Hardware calibration via X-Rite or Calibrite is the difference between a 3-year usable monitor and a 7-year usable one.
Where each pick fits
The Eizo ColorEdge CS2400S is the pro studio default. The BenQ SW242Q is the print-photographer value. The Atomos Shogun Connect is for video-first shooters. The ASUS ProArt PA248QV is the budget entry.
For related guidance, see our best 24 inch monitor for photo editing guide and our best 24 inch monitor for Mac article. Our full evaluation approach is documented in our methodology.
A camera monitor is a 5 to 8 year purchase that determines how accurately you see what your sensor captured. Prioritize HDMI input count, color gamut coverage, and hardware calibration support. The Eizo CS2400S is the safe pro pick, the BenQ SW242Q is the studio value, and the ASUS ProArt PA248QV is the budget choice.
Frequently asked questions
What is tethered shooting and why does monitor choice matter?+
Tethered shooting is the practice of connecting a camera directly to a computer or monitor via USB or HDMI so each captured photo or video frame appears on the larger screen as it is taken. This is standard for studio portrait, product, and fashion photography because the larger screen reveals focus and exposure issues invisible on the camera's small rear LCD. Monitor color accuracy and gamut coverage matter because the photographer makes lighting and color decisions based on what they see on the monitor.
Should I get an HDMI or USB-C monitor for camera work?+
Both have uses. HDMI is the universal output from cameras and external recorders, so any monitor with HDMI input can show live camera feed. USB-C with power delivery handles the computer side of tethered shooting (charging the laptop while feeding video to the monitor through Lightroom or Capture One). The best monitors for camera work have both, so you can switch between live HDMI feed and tethered computer view with a button press.
How important is HDR for camera monitor work?+
Important for video work, less critical for photo. Modern cameras capture HDR footage in HLG, PQ, or 10-bit log formats that benefit from HDR display playback. A monitor with HDR400 or higher shows the dynamic range the camera captured. For still photo work, HDR is less common in workflow (RAW files are processed and exported in SDR for most uses), so HDR400 is enough for review. Wide gamut is more important than HDR for stills.
What aspect ratio should a camera monitor be?+
16:10 (1920x1200) is preferred over 16:9 (1920x1080) for camera work because most photographs are 3:2 aspect ratio and 16:10 gives more room above and below the image for toolbars and metadata without the photo dominating the entire screen. 16:9 works fine for video work because most video is 16:9. If you shoot more photos than video, prefer 16:10. If you shoot more video, 16:9 is fine.
Do I need a calibrator for a camera monitor?+
For serious work, yes. Factory calibration is accurate at the moment the monitor ships but drifts 5 to 10 percent over 12 months as the backlight ages. A hardware calibrator like the Calibrite Display Pro HL (around 200 dollars) brings the monitor back to factory color accuracy in 15 minutes. Photographers who deliver client work, print photos, or grade video should calibrate every 4 to 8 weeks. Hobbyists can rely on factory calibration for 12 to 18 months before drift becomes an issue.
Alex Patel
Alex Patel writes for The Tested Hub.